The explanation for the game's "contract" mechanic is similar to that of the Persona 5 Royal DLC boss fights against Makoto Yuki and Yu Narukami in that they are cognitive beings rather than the actual individual.

Kumi Katayama: A math teacher at Kokatsu Academy and the homeroom teacher of class 2-C. Being set up by Kei Akashi for using violence at school, she is suspended from her work and has a mental breakdown.

Hiromu Miyazawa: A food critic active on TV and em linha channels. Visiting various restaurants, Miyazawa actively gives reviews on the food he eats in his personal show. However, in reality, he is a demanding and conceited man as restaurant owners are forced to give him bribes so that they won't receive negative reviews and he won't take away the restaurants from them.

The game also features multiple characters that Wonder can interact with in Tokyo using the "Confidant" system.[4] Compared to the main series, it was heavily reworked: the number of ranks has increased, but not every rank results in unique dialogue conversations.

Viewing this event as the catalyst for his professional career and personal life falling apart, he now terrorizes women by shoving them at train stations and holds a venomous grudge against Motoha, willing to destroy her life through any means necessary.

There are two different stories happening around the same time, the main story and CrossFates. The main story entails the protagonist, Lufel and their team of copyright Thieves exploring the Metaverse for a singular goal, figuring out what is causing everyone to lose their desires.

[seis] It takes the form of a tunnel submerged in a sea, and it is occupied by Igor and his assistant, Merope. Igor cites Nagisa's knowledge of choice as his reason for bringing him to the Velvet Room. Nagisa wakes up in the classroom.

After awakening from a nightmare, the protagonist is thrust into a changed world drained of hope... And the new faces he encounters are no less strange: an eloquent owl named Lufel, a long-nosed man and a beauty donned in blue.

Besides being buggy (playing on Note25 Ultra), the Persona series just doesn't translate well to being a mobile game. The series has always been big on story. But when I have a 30 min commute to work.

Much of the gameplay takes direct reference from Persona 5, where the protagonist will live a dual life between spending time in the real world, as well as roaming and fighting in the Metaverse. The game Persona 5 The copyright X does not follow a calendar system; the protagonist's free time in the city is only limited by a special currency taking the form of hourglasses.

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Not to mention moving around on mobile is clunky - I save all palace/mementos exploration for PC where I know the controls are more reliable... I really hope this game doesn't die within a year, but it seems like it will at this rate.

In the Japanese demo shown at Tokyo Game Show 2024, the cutscenes were altered to show blood in the protagonist's awakening much like how the awakening in Persona 5 were handled.

The gameplay isn't bad, but it's clear that they've decided to focus on finding more ways to get people to spend rather than creating an enjoyable experience. Especially when we have previous versions to compare to, the global version is way stingier, consistently giving less rewards and increasing prices.

As the male silent protagonist (who is named by the player, though he is canonically named Nagisa Kamishiro[d], but also given the codename Wonder) attending the school in modern-day Tokyo, players experience the story events, answer questions in class, and freely explore the city after school or during days off in order to engage in various activities.

The characters from Persona 3 Reload are a special case. They are actual Persona users but have an unknown connection to the protagonist's cognition and appear as cognitions.